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epenthesis from face elision |

She removes the 1st parable sequence

where her angles vanish to nourish your indifference |

impervo si | agreed deal I feel nothing for score |

should longer the clock drywash untoward a granite melodic

subjective percepts run hump thus duh |


wavies bank to downtrot the crow floats |

cellworn social dose aggressive passoes through

tapster’s step slip just play it | umlaut buoyant by force grade |

drummers were meant to be builders | sublink chunkers with grips

won’t hear when the finger strikes in bright eager |

or egregore rooty does that smell you enough wishful ceilings

 for issueful bottoms lock why whichers on

the weaktip gaps to answer in triplets |


aim at the break where their one isn’t high enough

when finders enter than fore wait | part the single disposal recharge |

attempt outburn serve synthetic paste | eyeless manifolds seethe |

silence lay hard connectors within the platter placed its rude insist |

leaden misuse by no shorter past compulsion triprides a side string

departure grievous stale receptacle made loads on all formats |

interior mixers converge for counter chances bake fluent reduxes

choice across nerve centers flashminute | gas gun objicient nofly |





About a. edward watkins

With the exception of 2 years study of western music theory and harmony- I am a self taught percussionist, writer and abstract painter. Not your drummer boy drummer - not your writerly writer nor the painterly painter. Creativity is an integral aspect of my existence - as it is for us all - in some form or another. My experiences in life have informed and shaped my world view profoundly. I am the disrupter - the never quite satisfied - the relentless creator of word, sound and image. I question the answers and question the questions.

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